The craft known by the French term “papier-mache’” which literally means “paper pulp”, is locally known as “kar-e-kalamkari” or “pen-case work”, after its traditional Iranian name. Papier-mache’ was practiced as a form of decoration on the wooden wall panels and wooden furniture, and was eventually adapted to paper moulds as well. Trays, jewellery boxes and book covers were made for royal patrons and members of their courts. The two major processes involved in the craft are “sakthsazi” or “mould making” and naqqashi or “mould painting”. The naqqash renders the surface in intricate floral patterns or highly stylized scenes of hunts and battles. The Mughal period saw the art extending to palanquins, ceilings, bedsteads, doors and windows.

The craft known by the French term “papier-mache’” which literally means “paper pulp”, is locally known as “kar-e-kalamkari” or “pen-case work”, after its traditional Iranian name. Papier-mache’ was practiced as a form of decoration on the wooden wall panels and wooden furniture, and was eventually adapted to paper moulds as well. Trays, jewellery boxes and book covers were made for royal patrons and members of their courts. The two major processes involved in the craft are “sakthsazi” or “mould making” and naqqashi or “mould painting”. The naqqash renders the surface in intricate floral patterns or highly stylized scenes of hunts and battles. The Mughal period saw the art extending to palanquins, ceilings, bedsteads, doors and windows.